“What right had Caesar to the empery?”: Power and the Individual in Plays of Christopher Marlowe
Abstract/Contents
- Abstract
- This honors thesis is a powerful interrogation of "radical individuality" in two plays by renegade Renaissance playwright Christopher Marlowe. This thesis covers a wealth of historical and dramatic terrain, and blends "close reading" with "distant reading" in its analysis and argument. It questions why Marlowe has not received significant attention by New Historicists; nor has Digital Humanities seen fit to bend its practices to Marlowe's plays. The first chapter discusses Dr. Faustus through various close readings, Cultural Materialism, and New Historicism. The second chapter is a Digital Humanities inquiry into The Jew of Malta. It utilizes network analysis to discuss various characters' spheres of influence.
Description
Type of resource | text |
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Date created | May 2018 |
Creators/Contributors
Author | Trunzo, Dan |
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Subjects
Subject | Christopher Marlowe |
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Subject | New Historicism |
Subject | Cultural Materialism |
Subject | Dr. Faustus |
Subject | Jew of Malta |
Subject | Massacre at Paris |
Subject | English Undergrad Honors Thesis |
Genre | Thesis |
Bibliographic information
Access conditions
- Use and reproduction
- User agrees that, where applicable, content will not be used to identify or to otherwise infringe the privacy or confidentiality rights of individuals. Content distributed via the Stanford Digital Repository may be subject to additional license and use restrictions applied by the depositor.
- License
- This work is licensed under a Creative Commons Attribution Non Commercial Share Alike 3.0 Unported license (CC BY-NC-SA).
Preferred citation
- Preferred Citation
Trunzo, Dan. (2018). “What right had Caesar to the empery?”: Power and the Individual in Plays of Christopher Marlowe
. Stanford Digital Repository. Available at: https://purl.stanford.edu/yh396pv3752
Collection
Stanford University, Department of English, Undergraduate Honors Theses
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- Contact
- dtrunzo@me.com
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