“What right had Caesar to the empery?”: Power and the Individual in Plays of Christopher Marlowe

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Abstract/Contents

Abstract
This honors thesis is a powerful interrogation of "radical individuality" in two plays by renegade Renaissance playwright Christopher Marlowe. This thesis covers a wealth of historical and dramatic terrain, and blends "close reading" with "distant reading" in its analysis and argument. It questions why Marlowe has not received significant attention by New Historicists; nor has Digital Humanities seen fit to bend its practices to Marlowe's plays. The first chapter discusses Dr. Faustus through various close readings, Cultural Materialism, and New Historicism. The second chapter is a Digital Humanities inquiry into The Jew of Malta. It utilizes network analysis to discuss various characters' spheres of influence.

Description

Type of resource text
Date created May 2018

Creators/Contributors

Author Trunzo, Dan

Subjects

Subject Christopher Marlowe
Subject New Historicism
Subject Cultural Materialism
Subject Dr. Faustus
Subject Jew of Malta
Subject Massacre at Paris
Subject English Undergrad Honors Thesis
Genre Thesis

Bibliographic information

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License
This work is licensed under a Creative Commons Attribution Non Commercial Share Alike 3.0 Unported license (CC BY-NC-SA).

Preferred citation

Preferred Citation

Trunzo, Dan. (2018). “What right had Caesar to the empery?”: Power and the Individual in Plays of Christopher Marlowe
. Stanford Digital Repository. Available at: https://purl.stanford.edu/yh396pv3752

Collection

Stanford University, Department of English, Undergraduate Honors Theses

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Contact
dtrunzo@me.com

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