Andre Breton and the modern art of collecting

Placeholder Show Content

Abstract/Contents

Abstract
While André Breton's (1896-1966) literary contributions to Surrealism have long been recognized within scholarship, his multifaceted collecting practices have generally been overlooked. Over the course of his career, Breton would assemble a private collection that consisted of more than 10,000 diverse and multivalent objects within his atelier at 42 rue Fontaine, where he lived for more than forty years. My dissertation, "André Breton and the Modern Art of Collecting, " adjusts the terms by which Breton is traditionally understood by tracing the evolution of his personal collection and his activities as a collector, beginning with his leadership of the Surrealist movement in the 1920s and 1930s; through his relationship during World War II with anthropologist Claude Lévi-Strauss; and culminating with Breton's imagined exploratory "voyage" around his densely packed atelier in 1966. Collecting—as an aesthetic practice, a set of material processes, and a method—emerges as a principal lens through which to interpret Breton's vital and interrelated activities as a poet, critic, curator, and creator of objects. Drawing from unpublished archival material and supported by object-based research and literary analysis, this study offers new ways to understand the role of collecting within Breton's creative production, Surrealism, and, by extension, the historical avant-garde

Description

Type of resource text
Form electronic resource; remote; computer; online resource
Extent 1 online resource
Place California
Place [Stanford, California]
Publisher [Stanford University]
Copyright date 2020; ©2020
Publication date 2020; 2020
Issuance monographic
Language English

Creators/Contributors

Author O'Hanlan, Sean Theodora
Degree supervisor Troy, Nancy J
Thesis advisor Troy, Nancy J
Thesis advisor Marrinan, Michael
Thesis advisor Meyer, Richard, 1966-
Thesis advisor Nemerov, Alexander
Degree committee member Marrinan, Michael
Degree committee member Meyer, Richard, 1966-
Degree committee member Nemerov, Alexander
Associated with Stanford University, Department of Art and Art History.

Subjects

Genre Theses
Genre Text

Bibliographic information

Statement of responsibility Sean Theodora O'Hanlan
Note Submitted to the Department of Art and Art History
Thesis Thesis Ph.D. Stanford University 2020
Location electronic resource

Access conditions

Copyright
© 2020 by Sean Theodora O'Hanlan
License
This work is licensed under a Creative Commons Attribution Non Commercial 3.0 Unported license (CC BY-NC).

Also listed in

Loading usage metrics...