The world of Ito Junji: Social criticisms and the reflections of horror within Japanese society

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Abstract/Contents

Abstract

*CONTENT WARNING* Depictions of death, gore, and suicide

This thesis explores the works of horror manga artist Ito Junji and analyzes the ways in which Ito criticizes certain institutions and individuals within Japanese society. His criticisms bring to light the fact that many social institutions that were meant to benefit individuals have changed in their function and instead work to harm those it was set up to help. It also delves into Ito’s portrayal of children in horror and how they are granted agency in a genre that often treats them as objects.

Description

Type of resource text
Date created November 27, 2022
Publication date November 28, 2022

Creators/Contributors

Author Villar, Benjamin
Degree granting institution Stanford University, Stanford Global Studies, Center for East Asian Studies
Thesis advisor Reichert, James

Subjects

Subject Ito Junji; Japan; Horror; manga; social criticism; children; institutions; agency; East Asia
Genre Text
Genre Thesis

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User agrees that, where applicable, content will not be used to identify or to otherwise infringe the privacy or confidentiality rights of individuals. Content distributed via the Stanford Digital Repository may be subject to additional license and use restrictions applied by the depositor.
License
This work is licensed under a Creative Commons Attribution Non Commercial 4.0 International license (CC BY-NC).

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Preferred citation
Villar, B. (2022). The world of Ito Junji: Social criticisms and the reflections of horror within Japanese society. Stanford Digital Repository. Available at https://purl.stanford.edu/xt978sy9143. https://doi.org/10.25740/xt978sy9143.

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Stanford Center for East Asian Studies Thesis Collection

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