The value of reproduction in American photography, 1969-1974 : authorship, ownership, and culpability

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Abstract/Contents

Abstract
The art historian Douglas Crimp wrote in 1984: "photography may have been invented in 1839, but it was only discovered in the 1970's." He refers to a story of photography's assimilation into art history: this dissertation shows how the 'discovery' of photography in 1970's America was not appropriation but literal remaking--old photographs were reproduced to make photography cohere as an autonomous art. Further, the technical details of this remaking were connected to literary, economic, and legal debates over the meaning of reproduction. These debates spawned theoretical models of reproduction that photographers drew upon to portray the technical details of their work to favorable effect, selectively highlighting aspects of the reprinting process to create new value for the resulting photographs. Centering the period around how reproduction changes the value of a photograph, I show how Lee Friedlander, Diane Arbus, and Michael Lesy negotiated misperceptions and generalizations about photographic reproduction to position their respective work as intellectual property, unique but reproducible art, and convincing forensic evidence.

Description

Type of resource text
Form electronic resource; remote; computer; online resource
Extent 1 online resource.
Place California
Place [Stanford, California]
Publisher [Stanford University]
Copyright date 2022; ©2022
Publication date 2022; 2022
Issuance monographic
Language English

Creators/Contributors

Author Zhao, Yechen
Degree supervisor Nemerov, Alexander
Thesis advisor Nemerov, Alexander
Thesis advisor Kwon, Marci
Thesis advisor Meyer, Richard, 1966-
Degree committee member Kwon, Marci
Degree committee member Meyer, Richard, 1966-
Associated with Stanford University, Department of Art and Art History

Subjects

Genre Theses
Genre Text

Bibliographic information

Statement of responsibility Yechen Zhao.
Note Submitted to the Department of Art and Art History.
Thesis Thesis Ph.D. Stanford University 2022.
Location https://purl.stanford.edu/xr422xf3059

Access conditions

Copyright
© 2022 by Yechen Zhao
License
This work is licensed under a Creative Commons Attribution Non Commercial 3.0 Unported license (CC BY-NC).

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