Disappearing acts : Allen Ruppersberg's ephemeral impulse

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Abstract/Contents

Abstract
This dissertation analyzes the work of the American artist Allen Ruppersberg (b. 1944), positioning his use of ephemera as a model for understanding the circulation and afterlives of undervalued objects. Ephemera is a mutable term, but it is typically used to refer to materially slight objects originally designed for passing use. This detritus--things such as pamphlets, postcards, newspaper clippings, pulp paperbacks, and roadside posters--is altered, rearranged, and repurposed within Ruppersberg's complex and often-humorous installations, collages, and drawings. In contrast to his peers in the Conceptual art movement of the 1960s and 1970s, whose work focused on the primacy of the idea over the object, Ruppersberg is concerned with the aesthetic and narrative potential of forgotten or outmoded items, which attain fresh resonance in the face of an increasingly disembodied, digitized media landscape. The aims of the dissertation are two-fold: one, to examine the implications of Ruppersberg's heterogeneous artistic project, in particular his engagement with the discarded materials of vernacular American life, and two, to examine how the unstable category of ephemera bedevils conventional medium hierarchies and metrics of worth, creating space for subversive, idiosyncratic considerations of value.

Description

Type of resource text
Form electronic resource; remote; computer; online resource
Extent 1 online resource.
Place California
Place [Stanford, California]
Publisher [Stanford University]
Copyright date 2022; ©2022
Publication date 2022; 2022
Issuance monographic
Language English

Creators/Contributors

Author Waldow, Jennie Claire
Degree supervisor Lee, Pamela
Degree supervisor Meyer, Richard, 1966-
Thesis advisor Lee, Pamela
Thesis advisor Meyer, Richard, 1966-
Thesis advisor Phelan, Peggy
Thesis advisor Troy, Nancy J
Degree committee member Phelan, Peggy
Degree committee member Troy, Nancy J
Associated with Stanford University, Department of Art and Art History

Subjects

Genre Theses
Genre Text

Bibliographic information

Statement of responsibility Jennie Waldow.
Note Submitted to the Department of Art and Art History.
Thesis Thesis Ph.D. Stanford University 2022.
Location https://purl.stanford.edu/xp615rr1601

Access conditions

Copyright
© 2022 by Jennie Claire Waldow

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