Unhousing in Marilynne Robinson's Housekeeping

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Abstract/Contents

Abstract
This thesis analyzes Marilynne Robinson's first novel, Housekeeping, as both a new American gothic novel and a feminist text. Through the function and trajectory of the house in the novel, Housekeeping borrows from the gothic tradition. However, through the ultimate destruction of the physical structure and the metaphysical sense of home, this novel's female characters achieve a level of freedom not granted in the gothic tradition. This thesis proposes that by destabilizing traditional understandings of domesticity, Robinson imagines a possible escape for the woman trapped in the house and breaks the societal bind between women and the domestic sphere.

Description

Type of resource text
Date created May 2016

Creators/Contributors

Author Schrier, Emilia
Degree granting institution Stanford University, Department of English
Primary advisor Ngai, Sianne
Advisor Staveley, Alice

Subjects

Subject Stanford University
Subject Department of English
Subject English
Subject Marilynne Robinson
Subject Housekeeping
Subject house
Subject escape
Subject American
Subject gothic novel
Subject second wave feminism
Subject 20th century
Subject 20th century literature
Subject feminist literature
Subject female author
Subject house
Subject domesticity
Subject domestic sphere
Subject cult of domesticity
Genre Thesis

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This work is licensed under a Creative Commons Attribution Non Commercial 3.0 Unported license (CC BY-NC).

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Preferred Citation
Schrier, Emilia and Ngai, Sianne and Staveley, Alice. (2016). Unhousing in Marilynne Robinson's Housekeeping. Stanford Digital Repository. Available at: http://purl.stanford.edu/wr993cj0477

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Stanford University, Department of English, Undergraduate Honors Theses

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