Creating Worlds through Music: Creative Music-Making as an Identity-Making Process in Contemporary Japanese American Community

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Abstract/Contents

Abstract
This thesis examines the ways in which creative musicians of Japanese descent living in America have negotiated and continue to make sense of their ethnic, racial, and national identities. The research focuses on interviews with 7 musicians of Japanese descent from a variety of family migration histories who describe their work as “creative” or “improvisational.” Using my own experiences as a musician and as a child of post-WWII Japanese immigrants to guide my understanding, I explore the ways in which creative music-making also serves as an identity-making process. I argue that creative music-making makes it necessary for artists to navigate identity labels such as Shin-Nikkei, Nikkei, Japanese, American, and Japanese American, as well as intersectional identities such as gender and sexuality. These artists demonstrate that identity is a living, non-linear process, and that recognizing differences is an essential part of building connections and inviting people into community.

Description

Type of resource text
Date created May 2018

Creators/Contributors

Author Hoshi, Momo

Subjects

Subject Center for Comparative Studies in Race and Ethnicity
Subject Creative Music
Subject Japanese American
Subject Nikkei
Subject Shin-Nikkei
Subject identity
Subject intersectionality
Subject intersectional identities
Subject nationality
Subject ethnicity
Subject race
Subject gender
Subject queerness
Subject interview-based
Subject qualitative research
Genre Thesis

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This work is licensed under a Creative Commons Attribution Non Commercial Share Alike 3.0 Unported license (CC BY-NC-SA).

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Stanford University, Program in Comparative Studies in Race and Ethnicity, Honors Theses

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