The Department Store and Self-Conception at the Axis of Modernity and Socioeconomic Change in 19th-Century Paris

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Abstract/Contents

Abstract
This thesis explores the changes in public life, visibility, and self-conception that resulted from the shift from specialty boutiques to department stores in 19th-century Paris. It entails a literary analysis of Émile Zola's novel Au Bonheur des Dames (The Ladies' Delight), which centers on Denise Baudu, a young provincial girl who moves to Paris to find a better future as a shopgirl at a large department store in the city, Au Bonheur des Dames. While Denise humanizes the store and its Casanova proprietor, Octave Mouret, the store impacts her deeply and forces her to change herself to fit into the ideal of its employees and customers. The essay explores the sense of shame that increased public visibility, changing socioeconomic standards, and conceiving of oneself in the gaze of others that the new age of the department store brought, and considers parallels to the modern world.

Description

Type of resource text
Date created May 2018

Creators/Contributors

Author MacLeod, Madeline
Advisor Edelstein, Dan
Degree granting institution Stanford University, French and Italian Department

Subjects

Subject department stores
Subject Paris
Subject Zola, Émile, 1840-1902
Subject Stanford
Subject Stanford University
Subject Stanford University Division of Literatures Cultures and Languages
Subject self-conception
Subject socioeconomic conditions
Subject modernity
Genre Thesis

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Preferred Citation
MacLeod, Madeline. (2018). The Department Store and Self-Conception at the Axis of Modernity and Socioeconomic Change in 19th-Century Paris. Stanford Digital Repository. Available at: https://purl.stanford.edu/pw483sh9758

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Undergraduate Theses, French and Italian Department, Division of Literatures, Cultures, and Languages, Stanford University.

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