From Ansel Adams to Instagram: Tracing Inflection Points in the American Relationship with Nature via the National Parks
Abstract/Contents
- Abstract
- This thesis asks what technological and corresponding ideological innovations caused the American relationship with nature to shift over time. It uses the national parks as an isotope, akin to a dye that measures the changes in attitude and cultural norms. While convention approaches nature as a static entity, I argue that the American relationship with nature is dynamic. Specifically, my thesis explores four inflection points, and explains how the American understanding of “nature” pivoted at each of these points —the creation of the National Park Service and zone photography, the construction of the Interstate Highway System and invention of Winnebagos, the utilization of satellite imagery to capture Earth from space, and the popularization of social media—with an increased emphasis placed on the investigation of social media. I rely upon analysis of relevant environmental literature and a survey (n=564) to draw conclusions about the manner in which our interactions in the parks have transformed. Primary research and analysis of the literature show an increasingly democratic association to the natural world and an enhanced but not universal appreciation for the ecological impacts of nature in the present day. There appears to be a tradeoff between democracy and the sublime in the national park experience.
Description
Type of resource | text |
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Date created | 2017 |
Creators/Contributors
Author | Stebbins, Emily |
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Primary advisor | Hoyos, Héctor |
Subjects
Subject | Program in Science Technology and Society |
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Subject | Stanford University |
Subject | STS |
Subject | National parks |
Subject | Nature and technology |
Genre | Thesis |
Bibliographic information
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- Use and reproduction
- User agrees that, where applicable, content will not be used to identify or to otherwise infringe the privacy or confidentiality rights of individuals. Content distributed via the Stanford Digital Repository may be subject to additional license and use restrictions applied by the depositor.
- License
- This work is licensed under a Creative Commons Attribution 3.0 Unported license (CC BY).
Preferred citation
- Preferred Citation
- Stebbins, Emily. (2017). From Ansel Adams to Instagram: Tracing Inflection Points in the American Relationship with Nature via the National Parks. Unpublished Honors Thesis. Stanford University, Stanford CA.
Collection
Stanford University, Program in Science, Technology and Society, Honors Theses
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- Contact
- ekstebbs@stanford.edu
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