The varieties of minimalist experience : the roles of psychological states in the reception of American minimalism during the long Sixties
Abstract/Contents
- Abstract
- This dissertation examines the reception of compositions by Pauline Oliveros, Philip Glass, Steve Reich, Terry Riley, and La Monte Young in the long Sixties, uncovering how concepts of American whiteness and American Cold War Orientalism intersected with low-level psychological states to shape listeners' aesthetic experiences and judgements. By incorporating methods and literature from music studies and experimental psychology, this dissertation analyses interconnected cultural, musical, and psychological forces that contributed to the reception of the music and simultaneously offers a mutually-beneficial research paradigm between these disciplines
Description
Type of resource | text |
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Form | electronic resource; remote; computer; online resource |
Extent | 1 online resource |
Place | California |
Place | [Stanford, California] |
Publisher | [Stanford University] |
Copyright date | 2020; ©2020 |
Publication date | 2020; 2020 |
Issuance | monographic |
Language | English |
Creators/Contributors
Author | Dauer, Tysen Drew |
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Degree supervisor | Fujioka, Takako |
Degree supervisor | Hadlock, Heather |
Thesis advisor | Fujioka, Takako |
Thesis advisor | Hadlock, Heather |
Thesis advisor | Kronengold, Charles (Charles Stewart) |
Thesis advisor | Schultz, Anna C |
Degree committee member | Kronengold, Charles (Charles Stewart) |
Degree committee member | Schultz, Anna C |
Associated with | Stanford University, Department of Music. |
Subjects
Genre | Theses |
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Genre | Text |
Bibliographic information
Statement of responsibility | Tysen Dauer |
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Note | Submitted to the Department of Music |
Thesis | Thesis Ph.D. Stanford University 2020 |
Location | electronic resource |
Access conditions
- Copyright
- © 2020 by Tysen Drew Dauer
- License
- This work is licensed under a Creative Commons Attribution Non Commercial 3.0 Unported license (CC BY-NC).
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