Framing Marlow: The Limits of Glamour and Obscurity in Joseph Conrad's Adventure Novellas

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Abstract/Contents

Abstract
This thesis examines Joseph Conrad's modernist subversion of the typical nineteenth century adventure narrative, focusing on Conrad's criticism of the obscurity and glamour of adventure. The thesis brings in insights from modern sociological and political framework theories to examine the frame narrative structures of two of Conrad's novellas: Youth (1898) and Heart of Darkness (1899). The thesis propels against arguments of multiple Conrad critics by sourcing Conrad's modernism to the frame narrative structures of his novellas, rather than his use of obscure language.

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Type of resource text
Date created May 2016

Creators/Contributors

Author Lam, Tiffany
Degree granting institution Stanford University, Department of English
Primary advisor Jarvis, Claire
Advisor McGurl, Mark

Subjects

Subject Joseph Conrad
Subject Conrad
Subject modernism
Subject adventure
Subject obscurity
Subject glamour
Subject frame
Subject frame narrative
Subject English
Subject Stanford University
Subject Stanford
Genre Thesis

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This work is licensed under a Creative Commons Attribution Non Commercial 3.0 Unported license (CC BY-NC).

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Preferred Citation
Lam, Tiffany. (2016). Framing Marlow: The Limits of Glamour and Obscurity in Joseph Conrad's Adventure Novellas. Stanford Digital Repository. Available at: http://purl.stanford.edu/ng473fq5109

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Stanford University, Department of English, Undergraduate Honors Theses

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