Framing Marlow: The Limits of Glamour and Obscurity in Joseph Conrad's Adventure Novellas
Abstract/Contents
- Abstract
- This thesis examines Joseph Conrad's modernist subversion of the typical nineteenth century adventure narrative, focusing on Conrad's criticism of the obscurity and glamour of adventure. The thesis brings in insights from modern sociological and political framework theories to examine the frame narrative structures of two of Conrad's novellas: Youth (1898) and Heart of Darkness (1899). The thesis propels against arguments of multiple Conrad critics by sourcing Conrad's modernism to the frame narrative structures of his novellas, rather than his use of obscure language.
Description
Type of resource | text |
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Date created | May 2016 |
Creators/Contributors
Author | Lam, Tiffany |
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Degree granting institution | Stanford University, Department of English |
Primary advisor | Jarvis, Claire |
Advisor | McGurl, Mark |
Subjects
Subject | Joseph Conrad |
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Subject | Conrad |
Subject | modernism |
Subject | adventure |
Subject | obscurity |
Subject | glamour |
Subject | frame |
Subject | frame narrative |
Subject | English |
Subject | Stanford University |
Subject | Stanford |
Genre | Thesis |
Bibliographic information
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- Use and reproduction
- User agrees that, where applicable, content will not be used to identify or to otherwise infringe the privacy or confidentiality rights of individuals. Content distributed via the Stanford Digital Repository may be subject to additional license and use restrictions applied by the depositor.
- License
- This work is licensed under a Creative Commons Attribution Non Commercial 3.0 Unported license (CC BY-NC).
Preferred citation
- Preferred Citation
- Lam, Tiffany. (2016). Framing Marlow: The Limits of Glamour and Obscurity in Joseph Conrad's Adventure Novellas. Stanford Digital Repository. Available at: http://purl.stanford.edu/ng473fq5109
Collection
Stanford University, Department of English, Undergraduate Honors Theses
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- tlam28@stanford.edu
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