The presence of copley : animacy, magic, and afterlife in American painting, 1765-1925

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Abstract/Contents

Abstract
Between 1753 and 1774, John Singleton Copley (1738-1815) painted some 350 portraits depicting men, women, and children of the British-American colonies, where he lived. Though his portraits were painted two and a half centuries ago, still they strike contemporary viewers as compellingly immediate and eerily modern, somehow charged with energy despite the passing of time. While many have commented fleetingly on the uncanny realism of Copley's colonial canvases, the origins and implications of these aesthetic effects have never been questioned. This dissertation argues that the painter's portraits were made, viewed, and experienced as near-magical repositories of human presence, believed to carry some vital relic of their sitters into the future. Accordingly, the project explores the rich afterlives of Copley's portraits—canvases that have "lived on" because their pulsating lifelikeness anticipates a future in which the sitter has passed on but the painting has not. Contributing to a growing body of scholarship on the afterlives of art and the history of enchantment, I demonstrate how these portraits and their reception during the long nineteenth century are evidence of the widespread cultural inclination to attribute inanimate portraits with the force of animation.

Description

Type of resource text
Form electronic resource; remote; computer; online resource
Extent 1 online resource.
Place California
Place [Stanford, California]
Publisher [Stanford University]
Copyright date 2021; ©2021
Publication date 2021; 2021
Issuance monographic
Language English

Creators/Contributors

Author Culp, Caroline Murray
Degree supervisor Nemerov, Alexander
Thesis advisor Nemerov, Alexander
Thesis advisor Kwon, Marci
Thesis advisor Lubin, David
Thesis advisor Troy, Nancy J
Degree committee member Kwon, Marci
Degree committee member Lubin, David
Degree committee member Troy, Nancy J
Associated with Stanford University, Department of Art and Art History

Subjects

Genre Theses
Genre Text

Bibliographic information

Statement of responsibility Caroline Murray Culp.
Note Submitted to the Department of Art and Art History.
Thesis Thesis Ph.D. Stanford University 2021.
Location https://purl.stanford.edu/mb147td7618

Access conditions

Copyright
© 2021 by Caroline Murray Culp
License
This work is licensed under a Creative Commons Attribution 3.0 Unported license (CC BY).

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