When music gets old : revivals and revisions of eighteenth-century opéra comique in nineteenth-century France

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Abstract/Contents

Abstract
Re-orchestrating, reprinting, rebuilding, and rewriting artifacts of eighteenth-century opéra comique in the nineteenth century drew attention to time's passage. This dissertation investigates nineteenth-century cases of re-hearing, reevaluating, and revising the music and history of pre-revolution opéra comique, widely considered during the nineteenth century to be France's national genre. The phenomenon of revision offers insights into how people perceive the temporality of certain timbres, works, and entire genres. Inside an arranger's or re-orchestrator's decision to rewrite a sound lies a judgment that the sound had, over time, become undesirable. The music "had become old, " as many French artists and listeners said of eighteenth-century opera during the nineteenth century. Artists' revisions of eighteenth-century opéras comiques, both the scores themselves and their contexts, asserted new narratives of France's national music history. My archival research sheds light on the 1840 reconstruction of the Opéra-Comique's eighteenth-century theater as well as re-orchestrations of eighteenth-century opéras comiques whose extant manuscripts are analyzed for the first time.

Description

Type of resource text
Form electronic resource; remote; computer; online resource
Extent 1 online resource.
Place California
Place [Stanford, California]
Publisher [Stanford University]
Copyright date 2022; ©2022
Publication date 2022; 2022
Issuance monographic
Language English

Creators/Contributors

Author Christensen, Kelly Lynn
Degree supervisor Hadlock, Heather
Thesis advisor Hadlock, Heather
Thesis advisor Grey, Thomas S
Thesis advisor Kronengold, Charles (Charles Stewart)
Degree committee member Grey, Thomas S
Degree committee member Kronengold, Charles (Charles Stewart)
Associated with Stanford University, Department of Music

Subjects

Genre Theses
Genre Text

Bibliographic information

Statement of responsibility Kelly Christensen.
Note Submitted to the Department of Music.
Thesis Thesis Ph.D. Stanford University 2022.
Location https://purl.stanford.edu/ky678tt6235

Access conditions

Copyright
© 2022 by Kelly Lynn Christensen
License
This work is licensed under a Creative Commons Attribution 3.0 Unported license (CC BY).

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