Critical publicity : Candida Höfer's public space photographs, 1968-present
Abstract/Contents
- Abstract
- This dissertation analyzes the photographic production of the German, contemporary artist Candida Hoefer (b. 1944). Starting with her earliest projects from the 1960s and 1970s like "Liverpool, " "Flipper, " and Tuerken in Deutschland, " and moving to her famed public interior photographs from 1979 to the present, "Critical Publicity" analyzes the work as an artistic response to contemporaneous discussions about the public sphere and democracy by social theorists like Juergen Habermas, Oskar Negt and Alexander Kluge, Nancy Fraser, and Seyla Benhabib.
Description
| Type of resource | text |
|---|---|
| Form | electronic; electronic resource; remote |
| Extent | 1 online resource. |
| Publication date | 2014 |
| Issuance | monographic |
| Language | English |
Creators/Contributors
| Associated with | DaPonte, Amy A |
|---|---|
| Associated with | Stanford University, Department of Art and Art History. |
| Primary advisor | Lee, Pamela M |
| Thesis advisor | Lee, Pamela M |
| Thesis advisor | Levi, Pavle |
| Thesis advisor | Turner, Fred |
| Thesis advisor | Wolf, Bryan Jay |
| Advisor | Levi, Pavle |
| Advisor | Turner, Fred |
| Advisor | Wolf, Bryan Jay |
Subjects
| Genre | Theses |
|---|
Bibliographic information
| Statement of responsibility | Amy A. DaPonte. |
|---|---|
| Note | Submitted to the Department of Art and Art History. |
| Thesis | Thesis (Ph.D.)--Stanford University, 2014. |
| Location | electronic resource |
Access conditions
- Copyright
- © 2014 by Amy Aileen DaPonte
- License
- This work is licensed under a Creative Commons Attribution Non Commercial 3.0 Unported license (CC BY-NC).
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