Kincaid's Carnival: Performance, Identity, and the Reader in A Small Place

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Abstract/Contents

Abstract
This undergraduate honors thesis, focusing on Jamaica Kincaid’s creative nonfiction memoir A Small Place, shows how readers can be transformed through identity performance in literature. This thesis reads Kincaid’s text as a literary carnival (in the sense described by the literary critic Mikhail Bakhtin) to show how Kincaid forces her Western reader to perceive himself in ways that are uncomfortable and unaccustomed—for the purpose of reconceiving his relationship to postcolonial tourist destinations like the one in which Kincaid grew up. Taking its motivation from Kincaid’s assertion that the English language is inadequate for communicating a critique of colonialism and neo-colonialism, this thesis reads Kincaid’s use of language not as a mere medium, but as a performance that requires the reader’s active involvement. Ultimately, this thesis offers an optimistic stance on literature's ability to engage us in changing ourselves, our perspectives, and our world through imaginative performance.

Description

Type of resource text
Date created September 2014 - May 15, 2015

Creators/Contributors

Author Hubbard, Shannon Marie

Subjects

Subject Postcolonial Literature
Subject Postcolonialism
Subject Colonialism
Subject Kincaid
Subject Bakhtin
Subject Identity Performance
Subject Carnivalesque
Subject Reader-Response
Subject Department of English
Subject Stanford
Genre Thesis

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This work is licensed under a Creative Commons Attribution Non Commercial Share Alike 3.0 Unported license (CC BY-NC-SA).

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Preferred Citation
Hubbard, Shannon Marie. Kincaid's Carnival: Performance, Identity, and the Reader in A Small Place. Stanford Digital Repository. Available at: http://purl.stanford.edu/gn114rq3473

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Stanford University, Department of English, Undergraduate Honors Theses

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