The future of terror : musical settings of the poetry of Matthea Harvey

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Abstract/Contents

Abstract
This dissertation is comprised of two musical works that set the poetry of Matthea Harvey. These songs explore themes of terror, contingency, complacency, and the grotesque. The first musical work presented here is "as if to hold the hemispheres of their own heads together (black; dahlia 1)" for flute, oboe, tenor saxophone, soprano, violin, violoncello, and double bass. This piece sets Harvey's "How We Learned to Hold Hands, " from the poet's collection Modern Life. Ensemble Dal Niente premiered "as if to hold the hemispheres of their own heads together (black; dahlia 1)" in January, 2014. The second musical work presented here is "the future of terror, " for flute and soprano. This song cycle sets Harvey's series "The Future of Terror, " also from her collection Modern Life. Liz Pearse and Élise Roy — for whom this work was written — premiered "the future of terror" in May, 2014.

Description

Type of resource text
Form electronic; electronic resource; remote
Extent 1 online resource.
Publication date 2014
Issuance monographic
Language English

Creators/Contributors

Associated with Isaacson, Kurt Edward
Associated with Stanford University, Department of Music.
Primary advisor Ferneyhough, Brian, 1943-
Thesis advisor Ferneyhough, Brian, 1943-
Thesis advisor Kronengold, Charles (Charles Stewart)
Thesis advisor Ulman, Erik, 1969-
Advisor Kronengold, Charles (Charles Stewart)
Advisor Ulman, Erik, 1969-

Subjects

Genre Theses

Bibliographic information

Statement of responsibility Kurt Edward Isaacson.
Note Submitted to the Department of Music.
Thesis Thesis (DMA)--Stanford University, 2014.
Location electronic resource

Access conditions

Copyright
© 2014 by Kurt Edward Isaacson
License
This work is licensed under a Creative Commons Attribution Non Commercial 3.0 Unported license (CC BY-NC).

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