"Pain has an element of blank:" Interpretations of and Judgments on Female Illness in the Nineteenth-Century British Gothic

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Abstract/Contents

Abstract
Nineteenth-century gothic novels teem with female illness. From typhus to tuberculosis, madness to melancholy, ill women are abundant. And yet, mainstream feminist scholarship insists that these illnesses must be read as metaphor only. This thesis integrates traditional feminist theory with disability theory to create a more complete discourse. Examining Charlotte Brontë’s Jane Eyre and Bram Stoker’s Dracula, we consider illness as illness and disability as disability. We thus learn a great deal about not only the world in which these novels were created but also the continuing unspoken attachment of readers to the ideal heroine as necessarily able-bodied.

Description

Type of resource text
Date created June 2020

Creators/Contributors

Author Ehrlich, Jennifer
Primary advisor Kantor, Roanne
Advisor Quayson, Ato

Subjects

Subject Department of English
Subject Disability Studies
Subject Disability Theory
Subject Feminist Critical Theory
Subject Victorian Studies
Subject Heroines
Subject Female Illness
Subject Mental Illness
Subject Dracula
Subject Jane Eyre
Subject Charlotte Brontë
Subject Bram Stoker
Subject Gothic
Subject Nineteenth-Century Novels
Subject Monstrosity
Subject Political Economy
Genre Thesis

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This work is licensed under a Creative Commons Attribution Non Commercial 3.0 Unported license (CC BY-NC).

Preferred citation

Preferred Citation
Ehrlich, Jennifer. (2020). "Pain has an element of blank:" Interpretations of and Judgments on Female Illness in the Nineteenth-Century British Gothic . Stanford Digital Repository. Available at: https://purl.stanford.edu/dh481dr5511

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Stanford University, Department of English, Undergraduate Honors Theses

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