Embodied character and the medieval novel : a study of "Lancelot" (c. 1220)

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Abstract/Contents

Abstract
When "Lancelot" was composed in the first decades of the thirteenth century, it was the first large-scale work of vernacular prose fiction in the post-classical West. Despite its inauguration of a form which has endured for the last eight centuries, it has received scant attention from historians and theorists of the novel. This study argues for a reconsideration of its relevance, grounded in an excavation of its innovations in the treatment of character. Instead of arguing that Lancelot offers a primitive form of the characters we find in novels today, I show how its representation of human nature anchors character complexity in the body in unique ways.

Description

Type of resource text
Form electronic resource; remote; computer; online resource
Extent 1 online resource.
Place California
Place [Stanford, California]
Publisher [Stanford University]
Copyright date 2022; ©2022
Publication date 2022; 2022
Issuance monographic
Language English

Creators/Contributors

Author Penner, Madeleine Elizabeth
Degree supervisor Algee-Hewitt, Mark
Degree supervisor Starkey, Kathryn
Thesis advisor Algee-Hewitt, Mark
Thesis advisor Starkey, Kathryn
Thesis advisor Galvez, Marisa
Thesis advisor Griffiths, Fiona J
Degree committee member Galvez, Marisa
Degree committee member Griffiths, Fiona J
Associated with Stanford University, Department of Comparative Literature

Subjects

Genre Theses
Genre Text

Bibliographic information

Statement of responsibility Mae Velloso-Lyons.
Note Submitted to the Department of Comparative Literature.
Thesis Thesis Ph.D. Stanford University 2022.
Location https://purl.stanford.edu/cy792rj2370

Access conditions

Copyright
© 2022 by Madeleine Elizabeth Penner

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