Theater and prestige : the development of the playhouse in Shakespeare's time

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Abstract/Contents

Abstract
Early modern playhouses did not exist independently of one another: they constituted a theatrical milieu, and to understand one theater we must understand its relation to other theaters. From the Elizabethan period through the Jacobean and Caroline periods, different theatrical venues occupied different niches in London's playgoing culture and increasingly came to cater to different audiences. This affected the kinds of plays that playwrights wrote and also influenced how playwrights defined themselves as authors. As venues became increasingly differentiated according to their audience and repertoire, literary prestige started to influence the kinds of plays that authors produced. Theatrical venues, authorship, and prestige determined the style of many plays, led to the creation of new genres, and ultimately determined how people conceived of the theater as an institution. We can gain important new insights into early modern drama by looking at how Londoners imagined their array of theatrical venues.

Description

Type of resource text
Form electronic; electronic resource; remote
Extent 1 online resource.
Publication date 2014
Issuance monographic
Language English

Creators/Contributors

Associated with Kimbrell, Garth
Associated with Stanford University, Department of English.
Primary advisor Hoxby, Blair, 1966-
Primary advisor Orgel, Stephen
Thesis advisor Hoxby, Blair, 1966-
Thesis advisor Orgel, Stephen
Thesis advisor Lupic, Ivan
Advisor Lupic, Ivan

Subjects

Genre Theses

Bibliographic information

Statement of responsibility Garth Kimbrell.
Note Submitted to the Department of English.
Thesis Thesis (Ph.D.)--Stanford University, 2014.
Location electronic resource

Access conditions

Copyright
© 2014 by Garth Eric Kimbrell
License
This work is licensed under a Creative Commons Attribution Non Commercial 3.0 Unported license (CC BY-NC).

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