Masks, Origins, and Copies in Chang-Rae Lee’s Native Speaker

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Abstract/Contents

Abstract
Published at a time when the Los Angeles Riots remained fresh in America’s mind, Chang-Rae Lee’s novel, Native Speaker, skyrocketed to critical acclaim. Kim’s paper explores how Native Speaker navigates the implications of belonging and control over a narrative. This research focuses on how the narration of a traumatic moment can become an entry point for understanding the narrator’s agency, and what such readings might illuminate in transnational literatures.

Description

Type of resource text
Date created June 29, 2015

Creators/Contributors

Author Kim, Sunli
Degree granting institution Stanford University, Department of English
Primary advisor Palumbo-Liu, David
Advisor Moser, Joyce

Subjects

Subject Lee
Subject trauma
Subject trauma theory
Subject Asian American
Subject poststructuralism
Genre Thesis

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User agrees that, where applicable, content will not be used to identify or to otherwise infringe the privacy or confidentiality rights of individuals. Content distributed via the Stanford Digital Repository may be subject to additional license and use restrictions applied by the depositor.
License
This work is licensed under a Creative Commons Attribution Non Commercial 3.0 Unported license (CC BY-NC).

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Preferred Citation
Kim, Sunli and Palumbo-Liu, David and Moser, Joyce. (2015). Masks, Origins, and Copies in Chang-Rae Lee’s Native Speaker. Stanford Digital Repository. Available at: http://purl.stanford.edu/bs804dk9140

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Stanford University, Department of English, Undergraduate Honors Theses

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