| Exhibition history |
“Martin Wong: New Paintings,” Exit Art, New York, November 5–December 23, 1988
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| Exhibition history |
“Martin Wong, Storefronts 1984–1986,” P.P.O.W Gallery, New York, January 18–February 24, 2001
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| Exhibition history |
“Painting Is Forbidden,” CCA Wattis Institute for Contemporary Arts, San Francisco, March 13–April 18, 2015
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| Exhibition history |
“Martin Wong: Human Instamatic,” Bronx Museum of the Arts, November 4, 2015–March 13, 2016; Wexner Center for the Arts, Columbus, OH, May 14–August 7, 2016; University of California, Berkeley Art Museum and Pacific Film Archive, September 20–December 10, 2017
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| Related publications |
Elizabeth Hess, “Working the Street,” The Village Voice, November 29, 1988: 119.
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| Related publications |
Jeanette Ingberman and John Yau, Martin Wong: November 5–December 23, 1988 (New York: Exit Art, 1988), 14–15.
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| Related publications |
John Sturman, “Martin Wong,” ARTnews 88 (March 1989): 178.
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| Related publications |
Julia P. Herzberg, Laura Trippi, Gary Sangster, and Sharon F. Patton, The Decade Show: Frameworks of Identity in the 1980s (New York: Museum of Contemporary Hispanic Art, New Museum of Contemporary Art, and Studio Museum in Harlem, 1990), 125–26, 318.
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| Related publications |
Brian Karl, “A Portrait of Martin Wong Between Text and Image,” Hyperallergic, April 17, 2015, https://hyperallergic.com/200102/a-portrait-of-martin-wong-between-text-and-image/.
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| Related publications |
Ben Davis, “Martin Wong Show Reveals the Artist’s Wild San Francisco Roots,” Artnet.com, April 17, 2015, https://news.artnet.com/art-world/martin-wong-san-francisco-288321.
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| Related publications |
Ben Davis, “In ‘Martin Wong: Painting Is Forbidden,’ the Wattis Institute Largely Sidesteps Painting,” Momus, April 17, 2015, https://momus.ca/in-martin-wong-painting-is-forbidden-the-wattis-institute-largely-sidesteps-painting/.
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| Related publications |
Holland Cotter, “Where Moral Force Trumps Market Forces,” New York Times, September 13, 2015.
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| Related publications |
Andrew Russeth, “Big Heat: The Bronx Museum Champions the Brave, Unflinching Martin Wong,” ARTnews, November 6, 2015, https://www.artnews.com/art-news/news/martin-wong-bronx-museum-review-best-brave-unflinching-5304/.
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| Related publications |
Peter Schjeldahl, “City Scenes,” The New Yorker, November 16, 2015, https://www.newyorker.com/magazine/2015/11/16/city-scenes.
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| Related publications |
Holland Cotter, “An Urban Visionary With a Hungry Eye,” New York Times, November 20, 2015.
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| Related publications |
Antonio Sergio Bessa, ed., Martin Wong: Human Instamatic, exh. cat. (London: Black Dog Publishing, 2015), 22–23.
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| Related publications |
Holland Cotter, “Art” (listings), New York Times, January 15, 2016.
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| Related publications |
Eleanor Heartney, “Street Life,” Art in America 104, no. 2 (February 2016): 82.
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| Related publications |
Ingrid Dudek, “I Am You, You Are Too,” ArtAsiaPacific, no. 98 (May/June 2016): 77.
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| Related publications |
Shanté Paradigm Smalls, Hip Hop Heresies Queer Aesthetics in New York City (New York: New York University Press, 2022), 33–37.
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| Related publications |
Krist Gruijthuijsen and Augustín Pérez Rubio, eds., Martin Wong: Malicious Mischief, exh. cat. (Cologne: Verlag der Buchhandlung Walther und Franz König, 2022), 204–05.
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| Related publications |
Agustín Pérez Rubio, “…it’s not really what you think*: Martin Wong and the Recreation of the Sociopolitical Landscape of Loisaida,” in Martin Wong: Malicious Mischief, eds., Krist Gruijthuijsen and Augustín Pérez Rubio, exh. cat. (Cologne: Verlag der Buchhandlung Walther und Franz König, 2022), 135.
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