Европейский вариант. "Клоп," "Свадебный кортеж." Касета 26. -- Evropeyskiy variant. "Klop," "Svadebnyi kortezh." Kaseta 26.
Abstract/Contents
- Abstract
- BEDBUG. 00:00:12 Performance is opened by the Poet himself. He shares with viewers his memories of the First World War, about the revolutionary assault of the Winter Palace. Landowners and priests, merchants and factory owners flee in panic. Workers and soldiers are marching, and poet joins them. 00:07:42. Prisypkin, indestructible like a bug, clinging to the winners. Boasting of his imaginary deeds, he seduces a naive girl Zoia Berezkin. The poet intervenes and beats this vulgar person. 00:16:41 But Prisypkin is already attracted to the daughter of a private hairdresser Elsevir Renaissance. They found each other. But what about Zoia? "Our love is liquidated,” Prisypkin says. Zoia saw and realized that the man she loved in reality is a bug. It is impossible to live with such a load. The poet rushes to her rescue, but it is too late - the girl is dead. The poet is disgusted. 00:23:48 The last posters of the Civil War are still hanging, but NEP (New Economic Policy) is already beginning. Engagement of Pierre Skripkin (former Prisypkin) and Elsevira. The master of the "new way of life” Oleg Baian organizes a luxurious "red wedding” of Elsevira and Pierre. The mother and father of the Renaissance are dancing to the sounds of taper, so is their guests. Newlyweds go to a giant bed. A drunken fight begins, after which everyone falls asleep in bed. (scene ends 00:23:02 on second tape) The Poet comes onstage. He shudders in disgust. He lights a cigarette and brings the match to the curtains - the delight of Nepman's eyes. People are burning, they writhe like bed bugs. The revolution is getting brighter. 4 DIFFERENT PERFORMANCES OF "SVADEBNYI KORTEZH." PART 1. 00:25:03 The wedding procession winds like a "snake” to the accompaniment of the little band: in front of us are the iconic characters of the Vitebsk Jewish community. The bride is sad: the girl was taken to a rich house, separated from her beloved. 00:28:02 The unfortunate groom is shocked by the situation. He suffers, asks, begs not to separate him from his beloved. 00:28:49 But the parents of the swaggering rich bridegroom scoff at him, and the bride's parents cannot help. Wedding procession moving along. 00:43:20 In despair, a lonely, destitute young man cries bitterly. PART 2. 00:35:23-00:46:37. PART 3. 00:47:54-00:57:30. Part 4. 00:57:40. Make up touchups. 00:57:43 Group dance. 00:58:10 A guy and a girl asking her parents for their blessing. Leningrad (Saint Petersburg), Russia. Original label: Bedbug and Wedding Cortage
Description
Translated title | Европейский вариант. "Клоп," "Свадебный кортеж." Касета 26., Evropeyskiy variant. "Klop," "Svadebnyi kortezh." Kaseta 26. |
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Type of resource | moving image |
Form | videocassette |
Extent | 1 VHS tape |
Digital origin | reformatted digital |
Broadcast standard | Mixed standards |
Sound content | Sound |
Color content | black and white with Color sequences |
Creators/Contributors
Choreographer | I︠A︡kobson, Leonid | |
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Composer | Shostakovich, Dmitriĭ Dmitrievich, 1906-1975 | |
Composer | Firtich, G. (Georgiĭ) | |
Composer | Otkazov, F. |
Subjects
Subject | Leningradskiĭ gosudarstvennyĭ akademicheskiĭ teatr opery i baleta imeni S.M. Kirova |
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Subject | Choreography |
Subject | Ballet dancers |
Subject | Ballet |
Subject | Dance accompaniment music |
Genre | Filmed ballets |
Bibliographic information
Note | Reformatted by Stanford University Libraries in 2016. |
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Location | |
Source ID | M2081_s1_b2_25 |
Location | https://purl.stanford.edu/dj317yh8282 |
Location | M2081 |
Repository | Stanford University. Libraries. Department of Special Collections and University Archives |
Access conditions
- Use and reproduction
- While Special Collections is the owner of the physical and digital items, permission to examine collection materials is not an authorization to publish. These materials are made available for use in research, teaching, and private study. Any transmission or reproduction beyond that allowed by fair use requires permission from the owners of rights, their heir(s) or assigns. When required, it is the researcher's responsibility to obtain such permissions.
- Copyright
- Materials may be subject to copyright.
Collection
Leonid Yakobson collection
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